| Display title | Philosophy:Spectacle (critical theory) |
| Default sort key | Spectacle (critical theory) |
| Page length (in bytes) | 20,289 |
| Namespace ID | 3018 |
| Namespace | Philosophy |
| Page ID | 258067 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| HandWiki item ID | None |
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
| Page creator | imported>Rjetedi |
| Date of page creation | 02:05, 9 March 2024 |
| Latest editor | imported>Rjetedi |
| Date of latest edit | 02:05, 9 March 2024 |
| Total number of edits | 1 |
| Recent number of edits (within past 90 days) | 0 |
| Recent number of distinct authors | 0 |
Description | Content |
Article description: (description)
This attribute controls the content of the description and og:description elements. | The spectacle is a central notion in the Situationist theory, developed by Guy Debord in his 1967 book The Society of the Spectacle. In the general sense, the spectacle refers to "the autocratic reign of the market economy which had acceded to an irresponsible sovereignty, and the totality of new techniques... |
