View source for Earth:Earth in science fiction

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[[File:The Earth seen from Apollo 17.jpg|thumbnail|right|236px|The iconic photo of Earth known as ''[[Astronomy:The Blue Marble|The Blue Marble]]'', taken by the crew of Apollo 17 (1972). This and similar images might have popularized Earth as a theme in fiction.<ref name="StablefordEarth" />{{Rp|138}}]]
An overwhelming majority of fiction is set on or features the [[Astronomy:Earth|Earth]], as the only planet home to [[Biology:Human|human]]s. This also holds true of science fiction, despite perceptions to the contrary. Works that focus specifically on Earth may do so [[Holism|holistically]], treating the planet as one semi-biological entity. Counterfactual depictions of the shape of the Earth, be it [[Astronomy:Flat Earth|flat]] or [[Hollow Earth|hollow]], are occasionally featured. A personified, living Earth appears in a handful of works. In works set in the far future, Earth can be a center of space-faring human civilization, or just one of many inhabited planets of a galactic empire, and sometimes destroyed by ecological disaster or nuclear war or otherwise forgotten or lost.<ref name="GreenwoodEarth">{{Cite book |last=Westfahl |first=Gary |title=The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders |date=2005 |publisher=Greenwood Publishing Group |isbn=978-0-313-32951-7 |editor-last=Westfahl |editor-first=Gary |pages=226–228 |language=en |chapter=Earth |chapter-url=https://archive.org/details/greenwoodencyclo0000unse_k2b9/page/226/mode/2up}}</ref><ref name="StablefordEarth">{{Cite book |last=Stableford |first=Brian M. |title=Science Fact and Science Fiction: An Encyclopedia |date=2006 |publisher=Taylor & Francis |isbn=978-0-415-97460-8 |pages=137–139 |language=en |chapter=Earth |author-link=Brian Stableford |chapter-url=https://books.google.com/books?id=uefwmdROKTAC&pg=PA138}}</ref>

== Related vocabulary ==
In a number of works of science fiction, Earth's English name has become less popular, and the planet is instead known as Terra or Tellus, Latin words for Earth.<ref name="StablefordEarth"/>{{Rp|139}}<ref>{{Cite encyclopedia |year=2012 |title=Terra |encyclopedia=[[The Encyclopedia of Science Fiction]] |url=https://sf-encyclopedia.com/entry/terra |access-date=2021-08-24 |edition=4th |author1-last=Nicholls |author1-first=Peter |author2-last=Langford |author2-first=David |editor1-last=Clute |editor1-first=John |editor1-link=John Clute |editor2-last=Langford |editor2-first=David |editor2-link=David Langford |editor3-last=Sleight |editor3-first=Graham |editor3-link=Graham Sleight}}</ref> Inhabitants of Earth can be referred to as Earthlings, Earthers, Earthborn, Earthfolk, Earthians, Earthies (this term being often seen as derogatory), Earthmen (and Earthwomen), Earthpersons, Earthsiders, Solarians, Tellurians, Terrestrials, Terrestrians, or Terrans.<ref name=":4">{{Cite book|last=Prucher|first=Jeff|url=https://books.google.com/books?id=lJCS0reqmFUC&dq=Earthling+%22science+fiction%22&pg=PP2|title=Brave New Words: The Oxford Dictionary of Science Fiction|date=2007-05-07|publisher=Oxford University Press|isbn=978-0-19-988552-7|pages=|language=en}}</ref>{{Rp|41, 43–48, 192, 233–234, 237–238}}

In addition, science fiction vocabulary includes terms like Earthfall for landing of a spaceship on planet Earth; or Earth-type, Earthlike, Earthnorm(al) and terrestrial for the concept of "resembling planet Earth or conditions on it".<ref name=":4" />{{Rp|41, 43–48, 192, 233–234, 237–238}}

The concept of modifying planets to be more Earth-like is known as [[Earth:Terraforming|terraforming]]. The concept of terraforming developed from both science fiction and actual [[Science|science]]. In science, [[Biography:Carl Sagan|Carl Sagan]], an [[Astronomy:Astronomer|astronomer]], proposed the [[Astronomy:Terraforming of Venus|terraforming of Venus]] in 1961, which is considered one of the first accounts of the concept.<ref name="The Planet Venus">{{cite journal|last=Sagan|first=Carl|year=1961|title=The Planet Venus|journal=Science|volume=133|issue=3456|pages=849–58|bibcode=1961Sci...133..849S|doi=10.1126/science.133.3456.849|pmid=17789744}}</ref> The term itself, however, was coined by Jack Williamson in a science-fiction short story ("Collision Orbit") published in 1942 in ''Astounding Science Fiction'',<ref>{{cite web|title=Science Fiction Citations: terraforming|url=http://www.jessesword.com/sf/view/125|access-date=2006-06-16}}</ref><ref>{{Cite journal|last1=Pinkus|first1=Karen|last2=Woods|first2=Derek|date=2019|title=From the Editors: Terraforming|url=https://muse.jhu.edu/article/761284|journal=Diacritics|volume=47|issue=3|pages=4–5|doi=10.1353/dia.2019.0023|s2cid=230227506|issn=1080-6539}}</ref><ref name=":4" />{{Rp|235}}<ref>{{Cite encyclopedia |year=2020 |title=Terraforming |encyclopedia=[[The Encyclopedia of Science Fiction]] |url=https://sf-encyclopedia.com/entry/terraforming |access-date=2021-08-24 |edition=4th |author1-last=Edwards |author1-first=Malcolm |author2-last=Stableford |author2-first=Brian |author3-last=Langford |author3-first=David |editor1-last=Clute |editor1-first=John |editor1-link=John Clute |editor2-last=Langford |editor2-first=David |editor2-link=David Langford |editor3-last=Sleight |editor3-first=Graham |editor3-link=Graham Sleight}}</ref> although the concept of [[Engineering:Terraforming in popular culture|terraforming in popular culture]] predates this work; for example, the idea of turning the [[Astronomy:Moon|Moon]] into a habitable environment with atmosphere was already present in ''La Journée d'un Parisien au XXI<sup>e</sup> siècle'' ("A Day of a Parisian in the 21st Century", 1910) by {{Interlanguage link|Octave Béliard|fr}}.<ref>{{Cite journal|last=Bardini|first=Thierry|date=2014-01-02|title=Decompicultures: decomposition of culture and cultures of decomposition|url=https://doi.org/10.1080/14688417.2014.890529|journal=Green Letters|volume=18|issue=1|pages=9–21|doi=10.1080/14688417.2014.890529|s2cid=144624019|issn=1468-8417}}</ref> 

== Themes ==
In general, the vast majority of fiction, including science fiction, takes place on Earth.<ref name="GreenwoodEarth" />{{Rp|226, 228}} To the extent that Earth is more than the obvious but forgettable background where the action of the story takes place, a number of themes have been identified.<ref name="StablefordEarth"/>{{Rp|137}}

=== Earth ===
Many works of science fiction focus on the [[Astronomy:Outer space|outer space]], but many others still take place on Earth; this distinction has been subject to debates among the science fiction authors, visible for example in  [[Biography:J. G. Ballard|J. G. Ballard]]'s 1962 essay ''Which Way to Inner Space?''. Some critics of the "outer space adventures" have pointed to the importance of "earthly" concepts and imagery closer to contemporary readers' everyday experience.<ref name="GreenwoodEarth" />{{Rp|228}}<ref>{{Cite encyclopedia |year=2015 |title=Inner Space |encyclopedia=[[The Encyclopedia of Science Fiction]] |url=https://sf-encyclopedia.com/entry/inner_space |access-date=2021-08-21 |edition=4th |author1-last=Clute |author1-first=John |author2-last=Langford |author2-first=David |author3-last=Nicholls |author3-first=Peter |editor1-last=Clute |editor1-first=John |editor1-link=John Clute |editor2-last=Langford |editor2-first=David |editor2-link=David Langford |editor3-last=Sleight |editor3-first=Graham |editor3-link=Graham Sleight}}</ref> While it has been argued that a planet can be considered "too large, and its lifetime too long, to be comfortably accommodated within fiction as a topic in its own right," this has not prevented some writers from engaging with said topic.{{Efn|for example, [[Biography:Camille Flammarion|Camille Flammarion]]'s ''Lumen'' (1887), David Brin's ''Earth'' (1990) or Terry Pratchett's, [[Biography:Ian Stewart (mathematician)|Ian Stewart]]'s and Jack Cohen's ''The Science of Discworld'' (1999)<ref name="StablefordEarth" />{{Rp|138}}<ref name=tp>{{Cite web|date=2015-05-19|title=Terry Pratchett and the real science of Discworld|url=http://www.theguardian.com/books/booksblog/2015/may/19/terry-pratchett-science-of-discworld|access-date=2021-08-20|website=the Guardian|language=en}}</ref>}}<ref name="StablefordEarth"/>{{Rp|138}}<ref name=tp/> 

Some works that focus on Earth as an entity have been influenced by [[Holism|holistic]], "big picture" concepts such as the [[Astronomy:Gaia hypothesis|Gaia hypothesis]], [[Philosophy:Noosphere|noosphere]] and the [[Philosophy:Omega Point|Omega Point]], and the popularizing of the photography of Earth from space.<ref name="StablefordEarth" />{{Rp|138}} Others works have addressed the concept of Earth as a Goddess [[Religion:Gaia|Gaia]]{{efn|as seen, among others, in the 1990 cartoon ''Captain Planet and the Planeteers''<ref name="GreenwoodEarth" />{{Rp|227}}}} (from [[Religion:Greek mythology|Greek mythology]]; another prominent goddess of Earth whose name influenced science fiction was the Roman [[Religion:Terra (mythology)|Terra or Tellus]]<ref name=":4" />{{Rp|41}}). Bridging these ideas, and treating Earth as a semi-biological or even sentient entity, are classic works like [[Biography:Arthur Conan Doyle|Arthur Conan Doyle]]'s ''When the World Screamed'' (1928) and Jack Williamson's ''Born of the Sun'' (1934).<ref name="GreenwoodEarth" />{{Rp|227}}

===Shape===
[[File:Map of the Interior World.png|thumb|A map of "The Interior World", from ''The Goddess of Atvatabar'' by William Bradshaw (1892)]]

Many stories portray Earth as known to modern science, but the [[Travel to the Earth's center|exploration of its]] [[Earth:Subterranean fiction|subterrean depths]], relatively consistent with the knowledge of modern geology, is still subject to a number of works. Brian Stableford listed among "notable accounts of burrowing expeditions" into such an Earth works such as Harry Harrison's "Rock Diver" (1951).<ref name="StablefordEarth" />{{Rp|page=138}}

===Planetary engineering===
Large scale [[Engineering:Planetary engineering|planetary engineering]] includes ideas such as adjusting the Earth's [[Astronomy:Axial tilt|axial tilt]],{{Efn|ex. Nat Schachner's ''Earthspin'', 1937<ref name="StablefordEarth"/>{{Rp|138–139}}}} or [[Engineering:Moving the Earth|moving the Earth]] from its orbit.{{Efn|for example, Homer Eon Flint's ''The Planeter'' (1918), Neil Bell's ''The Seventh Bowl'' (1930), Edmond Hamilton's ''Thundering Worlds'' (1934), Fritz Leiber's ''A Pail of Air'' (1951), Frederik Pohl's and C.M. Kornbluth's ''Wolfbane'' (1957), Roger McBride Allen's ''The Ring of Charon'' (1990)<ref name="StablefordEarth"/>{{Rp|138–139}} and Liu Cixin ''The Wandering Earth'' (2000), the latter becoming a Chinese blockbuster movie in 2019<ref>{{Cite web|date=2019-02-18|title=The Wandering Earth is now the second-highest grossing movie in Chinese history|url=https://shanghai.ist/2019/02/18/the-wandering-earth-is-now-the-second-highest-grossing-movie-in-chinese-history/|access-date=2021-08-20|website=shanghaiist|language=en-US}}</ref>}}<ref name="StablefordEarth"/>{{Rp|138–139}} Some works deal with geoengineering, a term usually referred to large-scale projects attempting to deal with the problem of [[Earth:Climate change|climate change]]; a theme common in many works of [[Earth:Climate fiction|climate fiction]].<ref name="SFEClimateChange" /> In the extreme case, Earth can be consumed in its entirety, all of its mass repurposed in construction of [[Engineering:Megastructure|megastructure]]s such as a [[Astronomy:Dyson sphere|Dyson sphere]].{{Efn|ex. Karl T. Pflock's ''Conservation of Mass'' (1982)<ref name="GreenwoodEarth" />{{Rp|227}}}}<ref name="GreenwoodEarth" />{{Rp|227}}
[[File:Science_Fiction_Quarterly_Summer_1940.jpg|thumb|Cover of ''Science Fiction Quarterly'' Summer 1940, depicting the destruction of Earth]]

=== The end of Earth ===
Various versions of the [[Earth:Future of Earth|future of Earth]] have been imagined. Some works focus on the end of the planet; those have been written in all forms – some focused on "ostentatious mourning";{{efn|George C. Wallis' ''The Last Days of Earth'' (1901), Edmond Hamilton's ''Requiem'' (1962)<ref name=sfend/><ref name="StablefordEarth"/>{{Rp|139}}}} others more of a slapstick comedy;{{efn|[[Biography:Douglas Adams|Douglas Adams]]' ''The Restaurant at the End of the Universe'', (1980)<ref name=sfend/><ref name="StablefordEarth"/>{{Rp|139}}}} yet others take this opportunity to explore themes of astronomy or sociology.{{efn|Frank Belknap Long's ''The Blue Earthman'' (1935) or Brian W. Aldiss' ''Hothouse'' (1962)<ref name=sfend/><ref name="StablefordEarth"/>{{Rp|139}}}}<ref name=sfend>{{Cite encyclopedia |year=2021 |title=End of the World |encyclopedia=[[The Encyclopedia of Science Fiction]] |url=https://sf-encyclopedia.com/entry/end_of_the_world |access-date=2023-12-20 |edition=4th |author1-last=Stableford |author1-first=Brian |author2-last=Langford |author2-first=David |editor1-last=Clute |editor1-first=John |editor1-link=John Clute |editor2-last=Langford |editor2-first=David |editor2-link=David Langford |editor3-last=Sleight |editor3-first=Graham |editor3-link=Graham Sleight}}</ref><ref name="StablefordEarth"/>{{Rp|139}} The genre of climate fiction can often mix the themes of near and far future consequences of the climate change, whether anthropogenic{{Efn|for example, George Turner's ''The Sea and Summer'' (1987), John Barnes' ''[[Earth:Mother of Storms|Mother of Storms]]'' (1994), [[Biography:Kim Stanley Robinson|Kim Stanley Robinson]]'s Science in the Capitol trilogy begun with ''Forty Signs of Rain'' (2004)<ref name="SFEClimateChange"/>}} or accidental.{{Efn|for example, [[Biography:Fred Hoyle|Fred Hoyle]]'s ''The Black Cloud'' (1957), Philip José Farmer's ''Flesh'' (1960), Val Guest's ''The Day the Earth Caught Fire'' (1961), John Christopher's ''The World in Winter'' (1962) and [[Biography:J. G. Ballard|J. G. Ballard]]'s ''The Drowned World'' (1962)<ref name=sfend/><ref name="SFEClimateChange"/>}}<ref name="SFEClimateChange">{{Cite encyclopedia |year=2023<!-- 1 May --> |title=Climate Change |encyclopedia=[[The Encyclopedia of Science Fiction]] |url=https://sf-encyclopedia.com/entry/climate_change |access-date=2023-12-20 |edition=4th |author1-last=Langford |author1-first=David |author1-link=David Langford |editor1-last=Clute |editor1-first=John |editor1-link=John Clute |editor2-last=Langford |editor2-first=David |editor2-link=David Langford |editor3-last=Sleight |editor3-first=Graham |editor3-link=Graham Sleight}}</ref><ref name="GreenwoodEarth" />{{Rp|227}} In other works, often found in the apocalyptic and post-apocalyptic fiction and the Dying Earth genres, Earth has been destroyed or at least ruined for generations to come; many such works are therefore set in the background of Earth changed into a wasteland.{{Efn|ex. Kevin Reynolds's ''Waterworld'' (1995)<ref name="GreenwoodEarth" />{{Rp|227}}}} Some of the works in these genres overlap with the climate change genre, as climate change and resulting ecological disasters are a commonly used plot device for events that trigger the fall of human civilization (other plots involve the destruction of Earth from human [[Social:Warfare|warfare]], [[Unsolved:Alien invasion|alien invasion]]s,{{Efn|for example, in Karel Čapek's ''War With the Newts'' (1936); Douglas Adams' ''The Hitchhiker's Guide to the Galaxy'' (1978) or in the 2000 movie ''Titan A.E.''<ref name="GreenwoodEarth" />{{Rp|227–228}}}} or from various sorts of man-made incidents{{Efn|ex. Piers Anthony's ''Rings of Ice'' (1974),<ref name="GreenwoodEarth" />{{Rp|227–228}} Hajime Yatate's ''Cowboy Bebop'' (1998)<ref name=CB>{{Cite web|last=Rigsby|first=Jared|date=2020-06-30|title=Cowboy Bebop: What Happened to Earth?|url=https://genrebomb.com/cowboy-bebop-what-happened-to-earth/|access-date=2021-08-24|website=Genre Bomb|language=en-US}}</ref>}} or accidental disasters).<ref name="SFEClimateChange" /><ref>{{Cite encyclopedia |year=2013 |title=Dying Earth |encyclopedia=[[The Encyclopedia of Science Fiction]] |url=https://sf-encyclopedia.com/entry/dying_earth |access-date=2021-08-20 |edition=4th |author1-last=Clute |author1-first=John |author1-link=John Clute |author2-last=Langford |author2-first=David |author2-link=David Langford |editor1-last=Clute |editor1-first=John |editor1-link=John Clute |editor2-last=Langford |editor2-first=David |editor2-link=David Langford |editor3-last=Sleight |editor3-first=Graham |editor3-link=Graham Sleight}}</ref><ref name="SFERuinedEarth">{{Cite encyclopedia |year=2023<!-- 10 November --> |title=Ruined Earth |encyclopedia=[[The Encyclopedia of Science Fiction]] |url=https://sf-encyclopedia.com/entry/ruined_earth |access-date=2023-12-20 |edition=4th |author1-last=Nicholls |author1-first=Peter |author1-link=Peter Nicholls (writer) |author2-last=Clute |author2-first=John |author2-link=John Clute |author3-last=Langford |author3-first=David |editor1-last=Clute |editor1-first=John |editor1-link=John Clute |editor2-last=Langford |editor2-first=David |editor2-link=David Langford |editor3-last=Sleight |editor3-first=Graham |editor3-link=Graham Sleight}}</ref><ref name="GreenwoodEarth" />{{Rp|227–228}} Many such works, set either during the disaster, or in its aftermath, are metaphors for environmental concerns or otherwise warnings about issues the writers think humanity needs to be concerned about.<ref name="GreenwoodEarth" />{{Rp|227}}<ref name="SFERuinedEarth" />

===One planet among many===
For many works set in the far future, Earth is just one of many inhabited planets of a galactic empire, [[Social:Federation|federation]] or larger civilization, and many similar planets have been found or created (common themes in space opera), all of which challenges the idea of Earth's uniqueness.{{Efn|James Blish's ''Earthman, Come Home'' (1953)<ref name="StablefordEarth"/>{{Rp|139}}}}<ref name="StablefordEarth"/>{{Rp|139}} In some works, Earth is still a center of the known universe, or at least a significant player on the galactic scene.{{Efn|ex. [[Biography:Gene Roddenberry|Gene Roddenberry]]'s ''Star Trek'' (1965); see also Terran Federation<!--intentional link to DAB page--><ref name="GreenwoodEarth" />{{Rp|227}}}}<ref name="GreenwoodEarth" />{{Rp|227}} In others, Earth has become of so little importance that it is a mostly forgotten backwards world.{{Efn|such as in Poul Anderson's ''The Chapter Ends'' (1954),<ref name="StablefordEarth"/>{{Rp|139}}<ref name="GreenwoodEarth" />{{Rp|227}} or Yoshiki Tanaka's ''Legend of Galactic Heroes'' series (1982)<ref name=logh>{{Cite web|date=2020-05-21|title=Legend Of The Galactic Heroes: 10 Things You Never Knew About This Long-Running Anime|url=https://www.cbr.com/legend-of-the-galactic-heroes-things-never-knew-long-running-anime-trivia/|url-status=live|access-date=2021-08-24|website=CBR|language=en-US|quote=This theme can also be seen in how detailed the backstory is given for why Earth is marginal in the series's current setting.|archive-url=https://web.archive.org/web/20200611143514/https://www.cbr.com/legend-of-the-galactic-heroes-things-never-knew-long-running-anime-trivia/ |archive-date=2020-06-11 }}</ref>}}<ref name="StablefordEarth"/>{{Rp|139}}<ref name="GreenwoodEarth" />{{Rp|227}}<ref name=logh/> In Clifford D. Simak's ''Cemetery World'' (1973) Earth is a planet-size cemetery and in Gordon R. Dickson's ''Call Him Lord'' (1966), a museum.<ref name="GreenwoodEarth" />{{Rp|227}} At its extreme, in some settings, knowledge of Earth has been simply lost, making it a mythological place, whose existence is questioned by the few who even know the legends about it.{{Efn|ex. in [[Biography:Isaac Asimov|Isaac Asimov]]'s ''Foundation'' series (1942)<ref name="StablefordEarth"/>{{Rp|139}}}} In some of these works, a major plotline can involve future civilizations or intrepid explorers seeking the "lost cradle" or Earth.{{Efn|for example, E. C. Tubb's Dumarest saga (1967),<ref name="StablefordEarth"/>{{Rp|139}} Keiko Takemiya ''Toward the Terra'' (1977)<ref>{{Cite journal|last=Jackson|first=Paul|date=2011|title=The Past Presents the Future: Toward the Terra|url=https://www.jstor.org/stable/41511587|journal=Mechademia|volume=6|pages=309–312|issn=1934-2489|doi=10.1353/mec.2011.0001|jstor=41511587|s2cid=123163950}}</ref> and Glen A. Larson's ''Battlestar Galactica'' (1978)<ref>{{Cite book|last=Muir|first=John Kenneth|url=https://books.google.com/books?id=P0bFBAAAQBAJ&dq=battlestar+galactica+quest+earth&pg=PA70|title=An Analytical Guide to Television's Battlestar Galactica|date=2015-09-15|publisher=McFarland|isbn=978-1-4766-0656-9|pages=16|language=en}}</ref>}} Finally, some stories told from the perspective of aliens focus on their discovery of Earth.{{Efn|Edmond Hamilton's ''The Dead Planet'' (1946); Hal Clement's ''Iceworld'' (1953),<ref name="GreenwoodEarth" />{{Rp|228}} Iain M. Banks's ''The State of the Art'' (1991)<ref name=state>{{Cite journal|last=Christie|first=Mike|date=1990|title="The State of the Art" by Iain M. Banks (Book Review).|url=https://www.proquest.com/docview/1312035909|journal=Foundation|volume=80|id={{ProQuest|1312035909}}}}</ref>}}<ref name="GreenwoodEarth" />{{Rp|228}}<ref name=state/>

===A different history===
Some works look backwards – or perhaps sideways, not to the future of Earth, but to [[Earth:History of Earth|its past]]; here, works of science fiction can overlap with historic fiction as well as prehistoric fiction. This can happen particularly through the genres of alternate history{{efn|for example, Terry Pratchett and Stephen Baxter's ''Long Earth'' series<ref>{{Cite book|last=Lacey|first=Lauren J.|chapter-url=https://books.google.com/books?id=96szAwAAQBAJ&dq=terry+pratchett+%22long+earth%22&pg=PA23|title=Environments in Science Fiction: Essays on Alternative Spaces|date=2014-03-08|publisher=McFarland|isbn=978-1-4766-1503-5|editor-last=Bernardo|editor-first=Susan M.|pages=23–26|language=en|chapter=Heterotopian Possibilities in Science Fictions by Stephen Baxter, Terry Pratchett, Samuel Delany and Ursula K. Le Guin|editor-last2=Palumbo|editor-first2=Donald E.|editor-last3=Sullivan|editor-first3=C. W.}}</ref>}} as well as [[Physics:Time travel|time travel]] (where as Gary Westfahl observed, most time travellers travel through time much more than space, visiting the past or future versions of Earth).<ref name="GreenwoodEarth" />{{Rp|226}}

== See also ==
<imagemap>
File:Solar system.jpg|alt=A photomontage of the eight planets and the Moon|thumb|Clicking on a planet leads to the article about its depiction in fiction.
circle 1250 4700 650 Neptune in fiction
circle 2150 4505 525 Uranus in fiction
circle 2890 3960 610 Saturn in fiction
circle 3450 2880 790 [[Astronomy:Jupiter in fiction|Jupiter in fiction]]
circle 3015 1770 460 Mars in fiction
circle 2370 1150 520 [[Earth:Earth in science fiction|Earth in science fiction]]
circle 3165 590 280 Moon in science fiction
circle 1570 785 475 Venus in fiction
circle 990 530 320 Mercury in fiction
</imagemap>
*Class M planet
*''Earth Is Room Enough''
*Ecofiction
*Moon in fiction
*[[Social:Mythopoeia|Mythopoeia]]
*Near future in fiction
*Pastoral science fiction

== Notes ==
{{noteslist}}

==References==
{{Reflist}}

== Further reading ==

* {{Cite book |last=Westfahl |first=Gary |title=The Stuff of Science Fiction: Hardware, Settings, Characters |date=2022 |publisher=McFarland |isbn=978-1-4766-8659-2 |pages=96–112 |language=en |chapter=Future Earths—The (Mostly Unpleasant) Fate of the Earth |chapter-url=https://books.google.com/books?id=q7WREAAAQBAJ&pg=PA96}}

[[Category:Earth|Science fiction]]

{{Sourceattribution|Earth in science fiction}}